Bruno Amezcua's passion for visual storytelling was kindled early in life, influenced by his grandfather, a seasoned film editor active from the 1950s to the 1970s. This early exposure to the intricacies of film production and editing, coupled with his grandfather's mentorship in fine arts, set the foundation for his pursuit of a career in film and visual arts. His interest in conveying stories through artistic mediums led him to seek formal education to deepen his understanding and refine his craft over a 15-year career.

Academic Achievements

He embarked on his academic journey at the Universidad Autónoma Metropolitana in Mexico City, where he graduated with a Bachelor of Fine Arts. His education continued in Europe, where he studied life drawing at the Museo Gregorio Prieto in Ciudad Real, Spain. This museum, known for its extensive collection of works by Gregorio Prieto and other Spanish artists like Picasso, provided him with a profound connection to classical art forms. He later moved to Canada to attend the Centennial College of Fine Arts and Technology in Ontario, graduating in 2008 with honors. His time there was marked by accolades such as the Outstanding International Student scholarship and achieving the highest academic score in the Faculty of Communications, Media & Design.

Specialization and Skills

His specialization in CG camera and photography and his skills in staging, storyboarding, classic illustration, and artistic drawing have distinguished him in the film and television industries. He is notably recognized for his ability to create compelling narratives through in-depth previsualization and visual story development. His contributions to projects such as "Guardians of the Galaxy Volume 3," "Harry Potter and the Deathly Hallows: Part 2" (2011), "Next Gen," and "Maya and the Three" have showcased his ability to blend technical proficiency with creative vision, earning him a reputation as a talented Hispanic-Canadian animator and camera unit director.

Professional Journey

He has held several key positions throughout his career, allowing him to collaborate with some of the industry's leading figures and studios, including Blue Sky, Disney, Marvel, Netflix, and Amazon. His role in "Next Gen" as Second Unit Director of Camera/Previsualization at Netflix stands out as a highlight, where he was instrumental in crafting a visually appealing story that was well-received, earning nominations at prestigious award ceremonies like the Annie Awards.

As a Layout Supervisor at Tangent Animation, he worked closely with Academy Award® nominees and winners, contributing to projects that expanded his experience and sharpened his leadership in animation layout. His subsequent role as a Senior Layout Artist at Industrial Brothers allowed him to work on significant children's animated series, further diversifying his portfolio and expertise in different animation settings.

Current Endeavors

He is currently a Senior Previs Artist at The Third Floor studio in Los Angeles, California, where he continues pushing the boundaries of previsualization in filmmaking. He is also a Previs Supervisor at a start-up video game studio in Toronto, Ontario, where he applies his animation and storytelling skills to the interactive realm of video games, blending narrative and gameplay for an immersive player experience.

Creative Contributions

In addition to his professional work, he is deeply involved in developing his intellectual properties. He writes screenplays and designs characters, utilizing storyboarding and cinematic editing to bring his unique visions to life. This aspect of his career is driven by his love for original storytelling and his desire to leave a personal imprint on the arts and entertainment industry.

Philanthropic Efforts

His commitment extends beyond the professional sphere into philanthropy. He has been actively involved in supporting Autism Canada and Friends In Toronto (FIT) Community Service, contributing both funds and personal time. His artistic skills have also been used in social advocacy, particularly in a campaign to reduce gang violence in Toronto's marginalized communities. His work on the graphic novel Hood Habits has been impactful, highlighting the challenges and potential pathways to betterment for youth involved in gang activities.

In every facet of his life and career, Bruno Amezcua exemplifies the role of an artist as both a creator and a contributor to society. His diverse endeavors illustrate a profound commitment to enhancing the film and visual arts landscape and improving the communities around him.

Bruno Amezcua | Previsualization Supervisor/ Film and Arts Industry | Toronto, Ontario